Saturday, July 7, 2007
This week at AOTP the buzz with those of us who are going RWA convention is “which workshops are we going to attend?”. There are so many choices, it has definitely been a challenge to narrow it down to one choice for each session. I will be leaning mostly to the craft workshops, not the business end, because if assume that if I do not have a well crafted manuscript, it does not matter how great my synopsis is written or how wonderful my query letters are written, or does it matter? Perhaps I should through a few of technical classes in for good measure.
There is such a diverse group of workshops offered at RWA, there are few attendees who will be left wanting. Although on some introspection, I came up with a few suggestions for nest year’s convention.
Tie Me Up 101: Do you long to write, but still have young children home during the day, or older kids home for summer break? In this class we will learn all the ethical ways to “occupy” your children so you may get a least one hour a day of uninterrupted writing time. Topics include; What children can do with a soda can and a butter knife, How much TV can a child really watch without frying her brain?, and Gagging - safe or sadistic? This is so popular it will be offered in two different time slots.
Hovering Over the Slush Pile: For those interested in the Paranormal, this class will teach you spells and incantations that can be used to enhance your completed masterpiece, and get it to your editor or agent. Highlights include: the Hovering Manuscript Spell - always be at the top of the pile. Literally, your manuscript can not be buried! The Query Letter Adhesive Incantation- your query letter will not leave the editor or agents hands until she has contacted you personally via e-mail or telephone. And the long awaited Synopsis Perceive Charm - one look and your editor can instantly see your entire manuscript from start to finish in her mind.
Braveheart Who?: Do you love historical romance, but want to take a break from Medieval Scotland and Regency England? Traditionally editors have shied away from more unpopular areas of time and location for the Historical Romance Genre. In this workshop we will explore the possibility of opening the genre to new and exciting locals and time period: Ancient Mesopotamia - who was that alpha hero (or heroine) who invented the wheel? Medieval Spain - was the Spanish Inquisition that bad? Antarctica - Love among ice and penguins.
Anyone else game?